High Summer

£95.00£140.00

On the 9th September 1940, Number 92 Squadron was thrown into the Battle of Britain. They had fought bravely during the evacuation from Dunkirk, and after a spell on convoy patrol, they were thrust into the desperate climax of the greatest air battle in history.

Flying Spitfires from Biggin Hill, they immediately went into action attacking massive Luftwaffe bomber formations and their escorting Me109s. Southern England was under severe threat, but 92 Squadron’s impact was immediate: during the next four months, its young pilots brought down no fewer than 127 enemy aircraft.

Available both individually or as a pair with HOMEWARD BOUND as part of The Battle of Britain Portfolio, this superb piece portrays Spitfires from 92 Squadron as they successfully engage Me109’s over the harvested fields of southern England, in August 1940. The desperate action of aerial combat is beautifully captured in this compelling and accurate reconstruction of a famous fighter squadron at war.

The Signatures
Each print in all of the editions has been hand numbered and signed by the artists along with two distinguished Battle of Britain veterans:

  • Flight Lieutenant Robin Appleford
  • Flight Lieutenant Trevor Gray
SKU: AHG-00016 Categories: ,

Description

The Supermarine Spitfire is a British single-seat fighter aircraft used by the Royal Air Force and other Allied countries before, during, and after World War II. It was the only British fighter produced continuously throughout the war. The Spitfire remains popular among enthusiasts. Around 70 remain airworthy, and many more are static exhibits in aviation museums throughout the world.

The Spitfire was designed as a short-range, high-performance interceptor aircraft by R. J. Mitchell, chief designer at Supermarine Aviation Works, which operated as a subsidiary of Vickers-Armstrong from 1928. Mitchell developed the Spitfire’s distinctive elliptical wing (designed by Beverley Shenstone) with innovative sunken rivets to have the thinnest possible cross-section, achieving a potential top speed greater than that of several contemporary fighter aircraft, including the Hawker Hurricane. Mitchell continued to refine the design until his death in 1937, whereupon his colleague Joseph Smith took over as chief designer.

Smith oversaw the Spitfire’s development through many variants, from the Mk 1 to the Rolls-Royce Griffon-engined Mk 24, using several wing configurations and guns. The original airframe was designed to be powered by a Rolls-Royce Merlin engine producing 1,030 hp (768 kW). It was strong enough and adaptable enough to use increasingly powerful Merlins, and in later marks, Rolls-Royce Griffon engines producing up to 2,340 hp (1,745 kW). As a result, the Spitfire’s performance and capabilities improved over the course of its service life.

During the Battle of Britain (July–October 1940), the more numerous Hurricane flew more sorties resisting the Luftwaffe, but the Spitfire captured the public’s imagination as the main RAF fighter, in part because the Spitfire was generally a better fighter aircraft than the Hurricane. Spitfire units had a lower attrition rate and a higher victory-to-loss ratio than Hurricanes, most likely due to the Spitfire’s higher performance. During the battle, Spitfires generally engaged Luftwaffe fighters—mainly Messerschmitt Bf 109E–series aircraft, which were a close match for them.

After the Battle of Britain, the Spitfire superseded the Hurricane as the principal aircraft of RAF Fighter Command, and it was used in the European, Mediterranean, Pacific, and South-East Asian theatres.

Much loved by its pilots, the Spitfire operated in several roles, including interceptor, photo-reconnaissance, fighter-bomber, and trainer, and it continued to do so until the 1950s. The Seafire was an aircraft carrier–based adaptation of the Spitfire, used in the Fleet Air Arm from 1942 until the mid-1950s.

Additional information

Dimensions 67.31 × 50.16 cm
Print Type

Signed and Numbered, Artists Proof

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